Interval

Interval consists of a series of lightbox installations and a video work with sound. It is an early work in which the artist explores the relationships between images, symbols, and the perception of time and space. Symbols and diagrams drawn from astronomy, geography, and mysticism are dismantled and reconfigured, then layered with still and moving images filmed at an amusement park.

The lightboxes suspend the images as continuously illuminated fragments, while the video introduces movement, rhythm, and sound. Visual materials drawn from different sources, scales, and temporalities are spliced together in space, producing a science-fiction landscape situated between cosmic imagination, mechanical motion, and everyday experience.

“Interval” refers both to the physical distances between the installations and to the ruptures between stillness and movement, reality and imagination, the known and the unknown. By connecting these gaps without fully resolving them, the work reorganizes the act of viewing and reveals reality as unstable, unfamiliar, and bordering on nothingness.

《间隔》由多组灯箱装置与一部声音影像构成，是艺术家早期围绕图像、符号与时空感知展开的作品。艺术家将天文、地理与神秘主义中的符号和图表进行拆解、重组，并与拍摄于游乐场的静态及动态影像相互叠加。

灯箱将影像凝固为持续发光的图像切片，声音影像则引入运动、节奏与声响。不同来源、尺度与时间感的视觉材料在空间中彼此嫁接，形成一个介于宇宙想象、机械运动与日常经验之间的科幻景观。

“间隔”既指各组装置之间的物理距离，也指静止与运动、现实与想象、已知与未知之间的断裂。作品通过连接这些无法被完全弥合的缝隙，重新组织观看的秩序，并使现实显露出不稳定、陌生而近乎虚无的状态。