DENOISE

Denoise originates from my long-term experience of tinnitus and the visual language of the audiogram. The circles, crosses, and testing lines used in hearing examinations are designed to record and measure auditory conditions. In this work, these clinical symbols are transformed into a visual system that can be continuously reorganized through computation.

Within the exhibition, a sound installation continuously produces sound, which travels through the space and enters a custom-built program. Responding in real time to changes in frequency, amplitude, and duration, the program causes the symbols of the audiogram to shift, scale, overlap, and recombine. The images are not predetermined outcomes, but continuously emerge through the interaction between sound, space, and computation.

During the development of the paintings, I capture selected moments from the program and subject these images to further layering, displacement, and changes of scale. I then translate them onto canvas, layer by layer. Through repeated revision, concealment, and accumulation, computational structures gradually become material traces of paint.

Rather than attempting to eliminate noise or represent tinnitus, Denoise examines how perception is reorganized through measurement, generation, and painting. From clinical testing, spatial sound, and computation to the acts of capturing, selecting, and repainting, each system preserves certain information while filtering, obscuring, or altering something else. The work is not concerned with recovering a complete and authentic original experience, but with how our understanding of reality is gradually formed through continuous acts of recognition, selection, and denoising.

《去噪》源于我长期耳鸣的经验，以及听力检测图中的视觉语言。听力图中由O、X 与检测线组成的符号，原本用于记录和测量听觉状态；在作品中，我将这些医学检测符号转化为一套可被程序持续重组的图像系统。

展览现场，声音装置持续发声，声音经由空间传入自编程序。程序实时接收现场声音，并依据频率、振幅与时间变化，使听力图中的符号不断发生组合、位移、缩放与叠加。图像并非预先设定的结果，而是在声音、空间与程序的相互作用中持续生成和变化。

在绘画的制作过程中，我不断截取程序运行中的图像瞬间，并让这些画面再次经历重叠、移动与尺度变化，形成新的视觉结构。随后，我将它们一层层重新绘制于画布之上。随着时间推移，颜料不断覆盖、修改与累积，程序生成的结构逐渐转化为具有物质性的绘画痕迹。

《去噪》并非试图消除噪声或再现耳鸣，而是关注感知如何在测量、生成与绘画之间被重新组织。从医学检测、现场声音与程序运算，到截图、选择与重绘，每一种系统都在保留部分信息的同时，过滤、遮蔽或改变另一些信息。作品所讨论的不是如何恢复一个完整而真实的原始经验，而是我们如何在持续的辨认、筛选与去噪中，逐渐形成对现实的理解。