THE UTOPIAN ENCLAVE — ARTIST_BOOK乌托邦孤岛-艺术家书
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The Utopian Enclave artist book was made for an independent book fair in Japan. A book case contains loose sheets of different sizes printed with photographs, artificial landscapes, and symbols. Nothing is fixed into a binding: readers can remove, overlap, reorder, and rearrange the sheets. Modularity is not a binding effect but one of Bai’s central working methods at the time, breaking the fixed sequence of a book so that relationships between images are remade with each reading.
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This publication gathers Bai’s photographs, symbolic images, and artificial landscapes on loose sheets of different sizes and proportions, all housed within a single case. Fixed binding is removed so that each sheet becomes an independent module that can be taken out, moved, overlapped, and recombined.
The work was made for an independent book fair in Japan. For Bai, the loose-sheet format was not primarily a special book-design gesture; it brought the modular method he was repeatedly using at the time directly into the structure of reading. The artist no longer fixes a single page order, and the reader’s actions physically alter the adjacency of images.
It shares an interest in artificial landscape, symbols, and assembly with the 2017 suspended installation of the same title, but it is neither a catalogue nor a preliminary study. One version places modules in the reader’s hands to be rearranged, while the other suspends artificial landscapes and symbolic structures above the viewer, carrying a related method into another scale.
/OVERVIEW
《乌托邦孤岛》艺术家书为参加日本独立书展而制作。一个书壳收纳尺寸不同的摄影、人工景观与符号散页,页面不被固定装订,读者可以取出、覆盖、调换和重新摆放。模块化不是装帧效果,而是柏志威当时最核心的创作方法之一:书本原本固定的顺序被拆开,图像关系在每次阅读中重新形成。
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这件出版物将柏志威同期的摄影、符号图像与人工景观印在不同尺寸和比例的散页上,并统一放入一个书壳。固定装订被取消,每一页都成为可以拿出、移动、覆盖和重新组合的独立模块。
作品为参加日本独立书展而制作。对柏志威而言,选择散页并不是为了制造一种特殊书籍外观,而是把当时反复使用的模块化方法直接放进阅读结构:作者不再规定唯一页序,读者的动作会实际改变图像之间的邻接关系。
它与2017年的同名悬挂装置共享对人工景观、符号和组装方式的兴趣,但不是装置的图录或草稿。一个版本把模块交给读者在手中重新排列,另一个则把人工景观和符号结构悬置到观众头顶,让同一方法进入不同尺度。
THE UTOPIAN ENCLAVE — ARTIST BOOK乌托邦孤岛-艺术家书
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