Sustained永续
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Commissioned for the exhibition Trash New Order, Sustained combines used coffee grounds with resin and reshapes them into objects that still resemble crumpled discarded packaging, while giving them the function of vases. Once fresh flowers are inserted, the objects shift between “waste” and “container.” The flowers gradually wither while the stabilized form of discarded material remains.
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Bai worked with several cafés to collect used coffee grounds, dealing with the practical problems of transport, drying, and storage. Rather than transforming waste into an object that deliberately appears upgraded or refined, he mixed the grounds with resin and cast them back into compressed, crumpled forms based on discarded coffee packaging, preserving the visual state of waste.
These apparently discarded forms are also given openings and the function of vases, distributed across a floor covered with loose coffee grounds. Once fresh flowers are inserted, an object first read as rubbish acquires another use and another definition. The freshness, care, and short life of flowers sit in direct contrast with the form left after consumption.
Sustained is therefore not simply about recycling or giving waste a second use. It is concerned with how the same material changes definition through form, function, and assigned use. During the exhibition the flowers bloom and wither while the resin-bound waste form persists, placing different durations of material, function, and meaning within the title’s idea of continuity.
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《永续》为“垃圾新秩序”展览委托创作。柏志威把咖啡消费后的废渣与树脂重新塑造成仍像揉皱废弃包装袋的物件,却为它们留下花瓶的功能。当鲜花被插入其中,物件在“垃圾”与“容器”之间改变定义;花朵逐渐枯萎,而被固化的废物形态继续存在。
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柏志威与多家咖啡店合作收集使用后的咖啡渣,并处理运输、干燥与保存等实际问题。他没有把废料塑造成一个刻意显得“升级”或精致的新物件,而是与树脂混合后,通过模具再次做成被挤压、揉皱的咖啡包装袋形态,让它仍然保持垃圾的视觉状态。
这些看似被丢弃的物件同时被赋予花瓶的开口和功能,并分布在铺满松散咖啡渣的地面上。鲜花插入以后,原本被识别为垃圾的形态获得了新的用途和观看方式。花朵的鲜活、照料与短暂生命,同消费结束后的废弃形态形成直接对照。
《永续》因此并不只是关于回收或“废物再利用”。作品更关注同一材料如何因为形态、功能和被赋予的用途而不断改变定义。展期中鲜花开放、枯萎,而树脂固化的垃圾形态继续存在;标题所指的“持续”,也落在材料、形式、功能与意义各自不同的时间上。


