ON-SITE在场
/PROJECT_INFO
/OVERVIEW
ON-SITE is a six-issue art newspaper and spatial presentation made with Shangqi around the 2017 Bi-City Biennale of Urbanism/Architecture in Nantou Ancient Town. Shangqi was responsible for writing, editing, and curatorial content; Bai developed the visual system, art direction, and exhibition presentation. The newspaper format responded to the everyday circulation of the urban-village setting, while the exhibition space was further constructed as something resembling an underground zine print room.
/FULL_PROJECT_TEXT
ON-SITE took place within the 2017 Bi-City Biennale of Urbanism/Architecture as the exhibition occupied the redeveloped urban-village setting of Nantou Ancient Town. Shangqi produced the writing, editing, and curatorial material, while Bai translated this content into the visual system of six successive newspaper issues and directed their spatial presentation.
The choice of a newspaper rather than a single fixed publication was connected to the site and to the way the content could circulate. The lightweight format was closer to everyday reading and street distribution, while six issues allowed material to unfold through the preparation and duration of the exhibition.
At the exhibition, the publishing format became spatial. The six issues covered walls, windows, and the ceiling, while printing equipment, paper, and ink formed a workspace resembling an underground zine print room. Visitors could read individual sheets while also encountering the production and accumulation of print as part of the environment.
The collaboration had a clear division of roles. Rather than turning design itself into an independent artistic proposition, the project shows how curatorial content can acquire an appropriate visual form, mode of circulation, and spatial condition within a specific urban-village context.
/OVERVIEW
《在场》是与上启合作的六期艺术小报与空间呈现,围绕2017深港城市/建筑双城双年展在南头古城的场地展开。上启负责文本、编辑与策展内容,柏志威负责视觉系统、艺术指导与现场呈现。小报这种接近日常流通的媒介回应了城中村展览环境,现场则进一步被做成类似地下小报印刷室的空间。
/FULL_PROJECT_TEXT
《在场》发生在2017深港城市/建筑双城双年展落入南头古城这一城中村改造场域的背景中。合作机构上启负责相关文本、编辑与策展内容,柏志威负责将这些内容转译成连续六期小报的视觉系统,并承担艺术指导与现场空间呈现。
之所以采用报纸而不是一本完整、固定的出版物,与现场的城市环境和内容传播方式有关。小报以更轻、更接近日常阅读和街头流通的形式出现,六期内容又可以在展览筹备与发生过程中持续展开。
进入展览现场后,出版形式被进一步空间化:六期小报覆盖墙面、窗户与天花,印刷设备、纸张与油墨共同组成一个类似地下小报印刷室的工作场所。观众既可以阅读单份内容,也可以把出版物的生产与堆叠方式作为空间的一部分来经验。
这是一次分工清楚的合作。作品的重点不在于把设计包装成独立艺术命题,而在于让具体策展内容在特定的城中村环境中获得合适的视觉形式、传播方式与空间状态。
