PHILOSOPHIE哲学百科
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Bai scans every illustration in dtv-Atlas Philosophie, cuts the material into visual modules, and recombines them without imposing a new logical system, forming an image that can continue to expand across a wall. Arrows, categories, and flowcharts retain the appearance of philosophical knowledge even though their original chapters and argumentative relationships have been broken apart.
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PHILOSOPHIE uses all of the illustrations in dtv-Atlas Philosophie. Bai was initially drawn to their visual structures: the way arrows, frames, classifications, figures, and objects organize complex thought into visible relationships. He scanned the entire book, removed the illustrations from their chapters and original logic, and cut them into modules that could be rearranged.
The modules were then collaged without designing a replacement philosophical system or new logical order. Bai allowed the separated images to meet in a more unconscious process of assembly, turning the finite contents of a book into a wall structure that could potentially keep extending like wallpaper. Existing relations are dismantled while new connections remain open.
After recombination, arrows still point and frames still appear to classify, so the image retains the visual authority of a knowledge diagram while no longer leading to the book’s conclusions. An appearance of rigour coexists with uncertainty of meaning. The work also makes visible Bai’s recurring early method of dismantling, modularizing, and reassembling material.
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柏志威将dtv-Atlas Philosophie整本书中的全部插图扫描出来,切分为一个个视觉模块,再在没有预设新逻辑的情况下重新拼贴,形成可以沿墙面继续扩张的图像。原本服务于哲学论述的箭头、分类框和流程图仍保留知识图示的外观,但它们原有的章节与论证关系已经被打断。
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《哲学百科》使用dtv-Atlas Philosophie中的全部插图。柏志威首先回应的是这些图表本身的视觉结构:箭头、框线、分类、人物与物件如何把复杂思想整理成可观看的关系。他将整本书扫描,再把插图从章节和原有逻辑中拆出,切成可以重新摆放的模块。
这些模块随后在没有预设新哲学体系或替代逻辑的情况下被重新拼贴。柏志威更接近无意识地让被切开的图像彼此邻接,使有限书本中的内容变成一种可以不断延展、近似壁纸的墙面结构。原有知识关系被拆开,新的连接则保持开放。
重新组合之后,箭头仍然指向,框架仍像在分类,观众也仍会把它识别为“知识图表”,但已经无法沿着这些关系获得原书的结论。视觉上的严密与意义上的不确定同时存在。作品也清楚呈现了柏志威当时反复使用的拆解、模块化与重新组装方法。

